![]() ![]() Garfinkel, John Guy, Navina Haidar, Medill Higgins Harvey, Stephanie L. Evans, Jennifer Farrell, Mia Fineman, Alice Cooney Frelinghuysen, Amanda B. Carpenter, Stephanie D’Alessandro, Clare Davies, Jayson Kerr Dobney, Ashley Dunn, Adam Eaker, Maryam Ekhtiar, Helen C. Bambach, Kelly Baum, Alexis Belis, Monika Bincsik, John Byck, Iria Candela, John T. Achi, Denise Allen, Niv Allon, Ian Alteveer, Carmen C. Mininberg, M.D., Medical Consultant to the Department of Egyptian Art, discusses the legacies of Egyptian medical knowledge.Ĭontributions by Andrea M. ![]() Allen, Curator in the Metropolitan's Department of Egyptian Art, provides an overview of medicine as a major theme in ancient Egyptian art, and David T. In fact, many of the procedures and techniques described in the Smith Papyrus can be considered antecedents of modern medical practice. The reverse of the papyrus contains eight magic spells, one of which apparently was meant to ward off mental or emotional distress, and five prescriptions, among them a recipe for an anti-wrinkle ointment. It is more than fifteen feet long and inscribed on the front with forty-eight case descriptions, including a remarkable explanation of the diagnostic process. Written about 1600 B.C., the Smith Papyrus was intended in part to provide the ancient Egyptian physician with a practical guide to treating wounds of the head and torso. Complementing them is the unique Edwin Smith Papyrus, translated in full and reproduced here in color. They also bear eloquent witness to how concern for the preservation and restoration of health influenced many aspects of Egyptian life and creative activity. In many ways these works actually bring us closer to their anonymous creators than do the recognized "masterpieces" of Egyptian art. ![]() Of the more than sixty objects beautifully illustrated in the catalogue, most are humble representatives of the everyday material culture of ancient Egypt. This volume, published in conjunction with the exhibition "The Art of Medicine in Ancient Egypt," held at The Metropolitan Museum of Art, New York, examines the expression of medical concerns in the art of ancient Egypt as well as the practice of ancient Egyptian medicine as an art form in its own right. Although these hazards certainly loomed large in the minds of most ancient Egyptians, the role they played in the creation of Egyptian art has been largely overlooked. Soldiers and men who worked in the stone quarries risked crippling injuries, and women often died in childbirth. The river Nile and the surrounding deserts teemed with dangerous animals such as crocodiles, scorpions, and snakes, and diseases carried by flies and parasites threatened blindness, disability, and death. Life in ancient Egypt was advanced and sophisticated by the standards of the time, but it was also perilous. ![]()
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